In an age where digital technology has come to dominate the world of filmmaking, a group of independent artists in Boise, Idaho, are keeping the magic of analog alive. Film Film Films, an ensemble of like-minded creators, has set out on a journey to preserve the timeless allure of analog formats in filmmaking. The company's unique passion for analog film is evident in their upcoming short film for the 13 Stories Film Festival, put on by i48 and the historic state penitentiary. 

The film, inspired by the real-life story of Sam Stevens, a supposed psychic and scam artist who lived at the Idaho State Penitentiary, showcases the team's dedication to authenticity and captivating storytelling. Set to be shot on 16mm black and white orthochromatic film, the film pays tribute to the classic charm of the 1920s silent era. The team aims to inspire others to explore the unique world of analog filmmaking and breathe new life into a medium that has slipped into obscurity.

One of the aspects that sets Film Film Films apart from other indie film collectives is their commitment to telling authentic, emotionally resonant stories. Sam Stevens' tale offers the perfect opportunity to explore the layers of a character who was both a mystic and a con artist. By delving into Stevens' life, they can reveal the fascinating intersection of these two facets: the mystical and the fraudulent.

The film's main character, John the magician, serves as a foil to Sam Stevens. John represents a more grounded and truthful approach to mysticism, adding depth and intrigue to the story. This narrative allows the filmmakers to celebrate authenticity while also exploring the complexities of human nature.

The film's 1920s silent era throwback theme, which pays homage to the greats like Buster Keaton, allows the team to create visually striking and nostalgic experiences for the audience. From the black and white striped prison uniforms reminiscent of Keaton's "Convict 13" to the high-contrast lighting, every visual detail evokes the spirit of a bygone era. Additionally, the choice to shoot at 18 frames per second, which was common at the time, enhances the authenticity while also allowing the filmmakers to extend their use of the film stock.

Choosing to shoot on 16mm black and white orthochromatic film not only provides visual consistency with the silent era aesthetic but also presents unique challenges and qualities specific to that particular format. As one of the cheapest film stocks available, the team can acquire more of this material to create an authentic experience. However, the film's low ISO (25) and insensitivity to red light require careful management of light sources and multiple test shoots leading up to the actual filming.

At the heart of Film Film Films' creative ethos are values like authenticity, collaboration, nostalgia, storytelling, and innovation. Their focus on analog filmmaking distinguishes them from the mainstream digital filmmaking scene, and their upcoming project centered on Sam Stevens is a testament to these core values.

For instance, the use of 16mm black and white orthochromatic film in the production underscores their commitment to genuine and emotional storytelling while also maintaining a level of collaboration within their tight-knit community of artists. Furthermore, this film format pays homage to the nostalgia of classic film stocks and delivers a unique experience to modern audiences.

It can be challenging to maintain a delicate balance between the analog and digital realms of filmmaking, but Film Film Films is committed to upholding their mission of harmonizing these two aspects. While they capture their visuals on analog film, they understand the convenience and practicality of using digital technology for post-production purposes.

For this project, the team will have their 16mm film scanned digitally in 4K for editing in Adobe Premiere, allowing them to create a final product that conforms to the festival's technical specifications. This approach exemplifies their innovative spirit, showcasing the potential for analog and digital to coexist and create visually stunning art.

The planning stage for this short film requires attentiveness to detail, particularly when working with the idiosyncrasies of 16mm black and white orthochromatic film and the heritage location of the state penitentiary. The small ISO and light sensitivity considerations require conducting several test shoots—crucial steps to ensure the project's success. Moreover, finding experienced team members with firsthand knowledge and experience in analog filmmaking can be difficult, given the rarity of this skillset among younger generations.

Despite the many hurdles presented, the team is confident in their abilities and remains dedicated to their passion for analog film. Their resilience, passion, and expertise will go a long way in overcoming these obstacles and bringing their vision to life.

Film Film Films is well aware that their short film may not reach the eyes of thousands of viewers. However, their ultimate goal lies in inspiring and influencing the future generation of filmmakers within the local Idaho industry. By showcasing the potential and charm of analog film, they hope to encourage others to experiment with the format and add their own unique touch to the art of filmmaking.

In essence, the team at Film Film Films seeks to prove that creative and authentic approaches to storytelling are alive and well in independent film. As they prepare to share their Sam Stevens-inspired short film at the 13 Stories Film Festival, they take a defiant stand against the notion that interest in analog film is fading away. Instead, they use their skills, passion, and dedication to champion the use of traditional film formats and light the way for future filmmakers to carry this torch forward.

With the unique magic of analog film, Film Film Films is poised to make a lasting impact not only at the 13 Stories Film Festival but also within the broader independent film community. By embracing the timeless charm and allure of analog, this talented group of artists aims to inspire future generations to explore the potential of this lost art, keeping the spirit of analog filmmaking alive and thriving for years to come.